From the Savage Land to an Alternative Earth: Steve Englehart’s Avengers from 1972 to 1976..#105

The Scarlet Witch rarely got a chance to shine during the Silver Age, constantly overshadowed by her overbearing twin brother, Quicksilver. From the moment they joined The Avengers, they remained inseparable, so Roy Thomas writing Pietro out of the Avengers was both a relief, and an opportunity for Wanda to develope away from her brother’s overprotective custody.*

So it was appropriate that Steve Englehart opened his first issue with a full page splash of Wanda in full tilt.

Unknown to The Avengers, and his sister Wanda, Qucksilver had travelled to Australia to rescue her from the Sentinels, but had been severely wounded in battle. Just as he was losing consciousness, a monstrous form appeared and whisked him away. So it was little wonder that Wanda was in a particularly fretful mood, and ready to take her frustrations out on the seemingly unsympathetic Iron Man and Hawkeye.

This was a plot that Roy Thomas was developing for another title, Fantastic Four, but Englehart turned it to his advantage, using the Avengers’ search for Quicksilver as an excuse to further examine the fraught relationship between the Scarlet Witch and The Vision,

 

Wanda learns that some scientists have been kidnapped in Chile, and by some suspect reasoning, believes this may be linked to Pietro’s disappearance. So with little ado, The Avengers, with the newly returned Black Leopard, sorry, Panther, and house guest Sif, jet off to Tierra del Fuego.

The appearance of The Black Panther, Sif and assorted Asgardians, The Vision’s return from battling the Puppet Master in Marvel Team-Up #5, and passing mention that Captain America has left on a personal matter, is a perfect example of Englehart’s willingness to fully embrace continuity, reinforcing the concept of the Marvel Universe as a cohesive whole.

Blasting through a sealed up cave entrance, The Avengers soon find themselves in the Savage Land, home of Ka-Zar, and Magneto’s Mutates, the Beast-Brood.

After an initial skirmish with the Beast-Brood, the enlightened Hawkeye checks in with Wanda:

Yeah, Clint’s still got some ways to go in relating to the opposite sex.

Coming across an abandoned, and destroyed, complex, The Avengers find an unfamiliar costume that they presume belonged to The Angel, and the remaining members of the Beast-Brood.

Just as The Avengers defeat the Mutates, Lorelei appears and enchants the male members of The Avengers with her siren song. All, that is, except The Vision who summarily dismisses the threat. Unfortunately, the fact that he was unaffected by the siren song of Lorelei leaves The Vision decidedly downbeat.

Succinctly, Englehart used the wild goose chase in search of Quicksilver to introduce Lorelei, and her power over human men, to cast some doubt in the (computer) mind of The Vision as to whether he was truly able to love a human. And if not, what would he do to make it possible?

We’d soon find out, with the reappearance of The Grim Reaper in the next issue.

As a first issue goes, not bad. It was a little rough around the edges in places, but Englehart’s enthusiasm, and obvious love for the material, overcomes any problems with the plotting. It is Englehart’s attention to characterisation - and detail - though, that really stands out, and will become a defining feature of Engelhart’s Avengers as he becomes progressively more comfortable with the team.

*I always found the twins a tad suspect, yet never had a problem with Wanda falling in love with - and eventually marrying - the Vision. I suspect this had a lot to do with my nascent sexuality, and a need to identify with people and relationships that did not exactly fit the mold. That, or I was just weird.

Giant-Size Avengers #1

In the mid-70s there were some comics I wanted more than all others, and Marvel’s line of Giant-Size comics were undeniably the most coveted. They promised much, yet were denied me because of their non-distribution status in the UK. My hopes were raised by house-ads in the regular comics, and dashed by their lack of availability in the many newsagents I would frequent in my weekly search for new comics.

One in particular fascinated me; the cover of Giant-Size Avengers #1 promised the ‘startling reappearance of the fabled All-Winners Squad’ - a team of Golden Age characters I’d discovered recently in a battered copy of Fantasy Masterpieces #10 - and furthermore, I’d been made aware (most likely by an Editor’s note in a later issue of The Avengers) that it was the comic where it was revealed that The Scarlet Witch and Quicksilver were the children of Bob (The Whizzer) Frank and Madeline (Miss America) Joyce. Being a fledgling continuity obsessive, and fan of stories that filled in the gaps of the rich tapestry the Marvel Universe once was, Giant-Size Avenges #1 made me think this one would live up to Stan Lee’s oft- repeated declaration that ‘This one has it all true-believer’.

I never did get hold of a copy during those formative years, but on eBay all things are available (for a price), and so I now own a copy of this once highly sought after comic.

Was it worth the 38 year wait? It certainly scratched a Bronze Age itch; the story of Nuklo - mutated by the terrible power that had just recently devastated Hiroshima and Nagasaki; a child in possession of uncontrollable force and locked away for 25 years - was a sad acknowledgement of Man’s unknowing use of nuclear energy, written by Roy Thomas and drawn by Rich Buckler (inked by Dan Adkins). However, the reveal of the parentage of the mutant twins was slightly anti-climactic, almost tacked on in Thomas’ quest for a cohesive Marvel Universe. It was likely this lack of a solid underpinning that allowed for the later reveal that the twins were the children of Magneto.

Still, it stands as an interesting artefact of Marvel's Bronze Age. And one can't condemn something for not entirely living up to childhood expectations.

Buy Giant-Size Avengers #1 at My Comic Shop